Wednesday, September 28, 2005

Johnny Lunchpail: Legend of El Zuperpollo


Johnny Lunchpail returns with two shows this weekend. Firstly, a benefit for Katrina victims on Friday night at the Magnet Theater at 11PM, and secondly the start of an 8-week run at Gotham City Improv Saturdays at 8:30 PM.

Photo by Peter Dressel

Four Dead Batteries Reviewed

From Film Critic:

Four Dead Batteries

A film review by Christopher Null - Copyright © 2005 filmcritic.com

RATING (out of 5)


Director: Hiram Martinez

Producer: Sean Martinez

Screenwriter: Hiram Martinez

Stars: Patrick Dall'Occhio, Benjamin Travers, Rob Webber, Dave Zubradt, Annie Armstrong, Alison Becker, Dana Cuomo, Maria Olivares, Kendal Ridgeway, LG Taylor

MPAA Rating: NR

Year of Release: 2004

Released on Video: Not Yet Available


Shot piecemeal over a couple of years, Four Dead Batteries is a winning, though simple, movie that does justice to the grown-up sex comedy, a fair successor to films like Clerks, films which know that it takes grown-up problems to properly up the ante in a relationship -- and that's where you can find the humor in the situation.

The titular Batteries are an improv comedy troupe in New York (Patrick Dall'Occhio, Benjamin Travers, Rob Webber, and Dave Zubradt), and when they're not performing, they're suffering through near-midlife crises of various degrees. Specifically, each of them has women troubles. One's in a troubled marriage and his mistress isn't working out. One's married and trying to avoid the dreaded baby. One's just been dumped on the eve of his wedding. And one's a swingin' single that finds himself -- gasp -- falling in love with a real live girl! It's like The Sisterhood of the Traveling Pants, only with old dudes. And no pants.

It's too bad that, for the most part, the guys we're supposed to identify and sympathize with are all cads and are too much alike. Their problems ultimately seem trivial, and while neurotic Woody Allen-esque comedy can be funny, it's best when served in moderation alongside some humor that's less riddled with obsession-compulsion.

Writer/director Hiram Martinez has a better ear than most for dialogue, but the movie still features just as many howlers as it does clever bon mots ("Was he deformed in some grotesque way? Was he a lefty?"). All too many of the gags come off like carefully scripted sitcom jokes; they don't even read well on paper.

Good performances all around elevate the film above most indies -- particularly thanks to the put-upon women in the cast, all of whom take a back seat to some oversized egos by the guys. Martinez also teases out more that usual out of the digital video format, exercising restraint with camera movement that many first-time DV directors never seem to grasp.



Recharge 'em.

Wednesday, September 14, 2005

True Tales of the BBQ, Part I


I worked at NYC's famous (infamous) Dallas BBQ from 1993-1998 as both a server and a bartender. These stories are true. I hope to make this a column much like the New York Times' Metropolitan Diary. Bon Appetit.
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While working a near-closing shift in Section 7 (the center section of the main dining room), I was called over to a table. Seated there was a couple in there mid-thirties. The gentleman pulled me aside and pointed to a line item on the guest check, which was a 15% gratuity that was automatically added onto the bill after 9:30 PM.

"Excuse Me", said the gentleman. "I've been out of Society for awhile. Is this 15% the last remnant of the Cuomo administration?"

"Huzzah!" I replied.

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On a sweltering Saturday night, I found my self at the pleasure of a family of 8 seated at the elliptical table 205. The matron of tremendous girth beckoned, and tout suit began to rattle off her list of lucky commestables for the evening.

"I'll have the Shrimps, the Onion Loaf, a Texas-Sized Pina Colada with a floater, The Full Rack of Baby-back Ribs . . ."

I pause here for dramatic effect.

". . . and could you tell me, do you have any dietetic barbeque sauce?"

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Overheard later at table 205:

"Excuse me sir, but is your corn-on-the-cob from a can?"

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A balmy Sunday at the bar. A gentleman of refinement posits this query:

"How much is the wine if I don't want to buy the glass?"

"What?" I reply.

"It says here that wine is four dollars by-the-glass. I don't want the glass so how much is just the wine".

Quickly gathering my wits I reply that the price is indeed, the same four dollars.

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Ah the birthday party! How they gather at the BBQ to celebrate another year, and like the best restaurants, the servers always relish the chance to show our appreciation for the big-wigs and dilletantes that play our counterparts in the gastronomic world.

This particular party took place at the sublime table 80. A family had gathered 'round and had brought their own cake for their young daughter. This itself was quite impressive, because most of the clientele opt for the BBQ special birthday cake consisting of a 35 cent piece of cornbread with a candle spiked lovingly through the top. But I digress.

The patriarch expressed a desire for the waitstaff to come and sing for his daughter, I suppose to supplement the voices of the six others at the table. Never one to shy away from a good sing-a-long, I gathered my workmates together and started a rousing rendition of the traditional "Happy Birthday to You".

Tension struck at the penultimate lyric, when my comrades and I realized we didn't know the celebrant's name! Thinking quickly, as this is not the first time this has happened, we leaned in closely to read the name inscribed boldly on the cake. It read thusly:

Happy Birthday Clitoris!

What's in a name?

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More to come!